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Allen created an absolute cinematic masterpiece with ‘Manhattan’, an unparalleled romantic comedy.
Shot in black and white, it perfectly captures the neurotic melancholy of life in the big city.
With Gershwin's immortal soundtrack as a guide, every frame is poetry.
Allen gives one of his best performances of Issac, a man drifting in his relationships as he reflects on life. His monologues are more quotable than Shakespeare.
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Diane Keaton and Marie Prevost are dreamy presences as his partners, embodying the complexity of romance. You believe their passion and their pain.
Under Allen's direction, New York City becomes the third protagonist, a dazzling backdrop that enhances every witty line of dialogue. Even in the darkest moments, its charm lifts you up.
A true masterpiece of writing, directing, acting and craft.
Complex, moving, endlessly rewatchable. Allen's peak as an artist. It stays fresh with every viewing, proving timeless.
Quite simply, one of the greatest films ever made, which I consider a must-see for any cinephile. Allen redefined romance through his unique comic genius.
The National Society of Film Critics awarded it Best Picture and Best Director.
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The New York Film Critics Circle awarded it Best Picture and Best Screenplay.
It is considered among Allen's best works by critics and fans alike.
Commercially, ‘Manhattan’ did well, grossing $39 million at the box office against a low budget of $2 million.
Over the decades it has spawned countless fans through home video and streaming versions. For serious moviegoers, it is a must-see film.